Fujifilm film simulations
Every recipe starts by choosing one of these. The film simulation decides how colour, contrast and tonality are rendered before any of your other settings apply — which is why the same white balance shift looks completely different on Classic Chrome than on Velvia. Pick one to see what it does and which recipes the community built on it.
Provia / StandardThe neutral baseline every other simulation is measured against.
Velvia / VividHigh saturation and hard contrast, built for landscapes.
Astia / SoftSofter contrast with saturated colour that still flatters skin.
Classic ChromeMuted, documentary colour — the most remixed look on Fujirama.
Classic Neg.Consumer negative film: colour separation with a heavy shadow.
Nostalgic Neg.Amber highlights and deep blues, after 1970s American colour.
PRO Neg. StandardThe flattest colour profile Fujifilm makes.
PRO Neg. HighPRO Neg. with the contrast put back in.
Reala AceFaithful colour on a firm tone curve.
Eterna CinemaLow saturation, low contrast — motion-picture flatness.
Eterna Bleach BypassAlmost colourless, very high contrast.
AcrosFujifilm’s best black and white rendering.
Acros + GACROS with a green filter — calmer skin, darker foliage.
Acros + RACROS with a red filter — dark skies, bright skin.
Acros + YeACROS with a yellow filter — a gentle sky correction.
MonochromeStandard black and white, available on every body.
Monochrome + GMonochrome with a green filter.
Monochrome + RMonochrome with a red filter.
Monochrome + YeMonochrome with a yellow filter.
SepiaA fixed warm-brown toning.